iona-digest Sunday, July 25 1999 Volume 1999 : Number 030 . _ _ _ |(_)| )(_| mailto:musictus@musictus.com Discussion List (digest) http://www.gospel.it/iona/ _______________ ---------------------------------------------------------------------- Date: Sat, 24 Jul 1999 09:18:13 -0400 (EDT) From: dan@fuse.net Subject: Re: [iona] My trip to Iona . _ _ _ |(_)| )(_| mailto:musictus@musictus.com Discussion List http://www.gospel.it/iona/ _______________ Vaughan, =09Thanks for your travelogue. Really enjoyed it. On Sat, 24 Jul 1999, Vaughan Granier wrote: > . _ _ _ > |(_)| )(_| mailto:musictus@musictus.com > Discussion List http://www.gospel.it/iona/ > _______________ >=20 > Hiya, guys >=20 > I was over in the UK end of May and June, and I managed to make it to the > Woven Chord concert. Didn't know how to find any of you who were also > there, so I was unable to make contact with you. >=20 > What I did do, though is visit Iona on my way across to Ireland, and I > thought I would just pass on to you the relevant portions of a series of > emails that I sent to my friends on another list. It is a bit of a longis= h > email, but if you have any interest in Celtic Christianity and the ruins > that remain on Iona and in Ireland, then this is an email you might enjoy= =2E.. >=20 > Here goes: >=20 > The Celtic Christian Experience... >=20 > Picking out more the highlights, since at almost every turn there was a > ruin deserving of at least a second look, and in the context of my seekin= g > out Celtic Crosses wherever I could find them, I would not want to bore y= ou > all with too much detail here. >=20 > Reading through it after writing it though, it is a bit of a tome - I gue= ss > my passion showed through... :-) Enjoy!!! >=20 >=20 > JEDBURGH ABBEY > This old ruin, dating from about the 1100's as far as I could gather from > the locals (it was closed) is an awesome sight along the road from > Hadrian's Wall to Edinburgh. Just a ruin - not by attack but by attrition= - > it dominates the little town around it. The carving and brickwork is > beautiful - I simply wish it had been open on the day.=20 >=20 > ST. MARGARET'S CHAPEL > Inside Edinburgh Castle, this is the oldest surviving portion of the enti= re > fortification - dating from about 1200 AD. Refurbished recently and > therefore dressed in a shiny white coat of paint on the inside, it is a b= it > artificial, but it has a humble serenity and meekness that is truly > endearing. In the midst of a battle fortification such as this castle, it > is an anomaly that is truly refreshing to step inside of. >=20 >=20 > IONA > Iona is a place steeped in history, tragedy and fortitude. Set just acros= s > the sea from the little town of Fionnphort on the west coast of the Isle = of > Mull it engenders a sense of awe just seeing it across the water. Landing > on it's shores, on your right is the beach where in 807 AD the Vikings > landed and massacred the monks where they stood. Iona has seen invasion > after invasion over the 1500 years of it's history, and the loss of many > peaceloving and innocent lives. There remains a distinct sense of their > presence even now... >=20 > The Nunnery, built in circa 1200, is an open ruin now, although the majes= ty > of it's stonework is clear, and a very powerful reminder of the skill of > the original craftsmen of the time. The abbey, of which the earliest part > also dates to 1200 AD lies to the north of the modern village, along the > coast line. Rebuilt often over the years, it's restorers were faithful to > it's early designers, and it carries with it a rich history. Two crosses > stand outside the entrance - one is St. John's cross, a replica of the > original which now stands in the old infirmary (converted to house the mo= st > delicate of the ancient stonework of the island). Along with the second > cross, which is to the best of my knowledge original, I believe they date > from approximately 800 AD. >=20 > The abbey's centre square is lined with ancient gravestones dating from > 600-700 AD onwards - all exquisitely carved in relief with celtic knotwor= k, > swords, images of their one-time inhabitants and inscriptions telling of > their creators, their purpose and sometimes dating them accurately. The > infirmary is repository to ancient stone relief carvings of Crusader > figures, dating from 1100 AD or thereabouts, crosses, portions of exquisi= te > stonework. Church services are held every hour, I believe - short items f= or > the constant stream of pilgrims (funny, that - most everywhere I went, > there was a touristy atmosphere - even for the most sacred of sites - > except Iona and the Skelligs. These two had the aura of a place of > pilgrimage, and a sense of an impregnability - no amount of tourism is > going to change what they were) >=20 > My feelings while there?=20 >=20 > A tremendous sense of a courage and a conviction far exceeding currently = my > own wildest potentials - living here on this windswept isle, caught up in > their vision of God's will to the extent of total self denial, there is a > realisation that we in our modern age may well have lost the meaning of > true passion. We like our conveniences too much, and perhaps we have > measured (and thereafter pursued) success and fulfilment by inadequate > means, and fail in our understanding of passion, sacrifice, and purpose, > and we do not give ourselves over completely to the passions that beckon = us > onward...and upward... >=20 > The place is serene and gentle in spite of that - it encourages reflectio= n > and lifts one's spirit up - there is evidence of an unquenchable fire > captured so well in the stonework - the crosses especially for me are > symbols of this. The deepest impression left with me was a sense of the > personal and individual passion of the stone workers and the monks who > lived there - somehow their faith and their commitment was not preserved = in > anonymity - it was almost as if their names, and their faces, were only > just outside my conscious grasp as I walked around. I was clearly reminde= d > that life is a path walked in the presence of a great cloud of witnesses, > unseen to us but present nonetheless... >=20 > The graves of Royalty from all over Europe line the graveyard - again, a > sense that people have long so revered Iona and the passion of it's > founders that being buried there was of major importance to them...it wou= ld > please me greatly to join them when I too must leave, but that is not a > possibility anymore.=20 >=20 > ST ANNES CATHEDRAL > This Belfast cathedral is relatively young, no more than 100 years old. I= t > is exceptionally beautiful, but for me, while it was faithful to many > concepts belonging to Celtic Christianity, it remains merely a Church for > me. This is not to detract from it's grandeur, it's stonework, and it's > conceptual design - it is majestic in many respects with regard to these, > and I would be doing it a disservice if I detracted from it for these rea= sons. >=20 > KILFENORA > This is a small town in the area of the Cliffs of Moher - surrounded by t= he > similar villages of Lisdoonvarna, Ennistymon and Ballyvaughan (hehe - sin= ce > my name is Vaughan, I was intrigued to note the Gaelic spelling "Baile > Bheachain"). Kilfenora has an old church there - nothing but a ruin with = a > fantastic relief carving of a bishop set into one wall, and a number of > Celtic High Crosses in the area. One such is known for it's exceptional > relief carving of a bishop, complete with Crozier, at the top. It stands = in > the churchyard, amongst the gravestones there. As an aside - I got really > spooked by a stark black granite gravestone, inscribed with just one word= - > "VAUGHAN". Weird, I tell you. No dates, nothing. No story of the wife and > kids like there normally is. Just my name. Hoooaaaaahhhhh. Weird. >=20 > THE SKELLIGS > This was the highlight of the trip for me. A 40 minute boat ride in 10 fo= ot > plus swells, and deep mist all around. The first Skellig rose out of the > mist like an abandoned ship, with all 40 000 gannets screaming in our ear= s. > Not much to see there, except some really impressive natural rock arches. >=20 > Skellig Michael is the purpose of the trip. It is a stark, sheer rock, > protruding without any warning out of the Atlantic, about 200 metres into > the air. It is at first glance totally impassable and unclimbable, and at > second glance not much better. >=20 > In about 600 AD, a community of monks seeking a more ascetic lifestyle > sailed out to Skellig Michael (8 miles out to sea) and began the 100 yea= r > process of building an access route to the top, and there constructing ou= t > of bare rock firstly a plateau on which building could take place, and > thereafter actually constructing dwellings and a church and the basics of= a > community which went on to survive for at least another 600 years. >=20 > The settlement is 180 metres up, near the top of the Rock, and was > originally accessed by stairs cut straight up the cliff face, almost > vertically. Almost immediately after the original access was built a (onl= y) > slightly more accessible route exists, using 365 stairs up the Southern > face. These are treacherous in the extreme - slippery, and sloping down t= he > rockface, not into it, thus making each step something of a gamble. An > impossible journey if one has any fear of heights, and I cannot imagine > doing it barefoot or in primitive footwear such as sandals. My African > Hiking Boots were barely up to the task on the day...and the old monks us= ed > to carry supplies up that route!!!!! >=20 > Beehive dwellings, still in immaculate condition and dating from 600 AD..= =2Ea > open roofed church, walls still fully intact ...graveyards, two of them, > each with rough hewn stone crosses dating back to 700 AD at least...a vie= w > of the Atlantic and of Little Skellig, with the mainland and Puffin Islan= d > in the distance. >=20 > What a place. It is a monument to passion and perseverence, and self > sacrifice. The rocks themselves testify to these things - it is the harde= st > place to live I have ever seen, and somehow, somewhy, these twelve monks > made it a home for themselves, for their entire lives. It engenders a sen= se > of awe, and of mystery. In truth, I got the impression that the creators = of > this place are unknowable, unique individuals with unique passions and > perspectives. The greatest mystery perhaps is what they learned of God=20 > in such a place, and what they did with that knowledge. I will ask them > oneday... >=20 > THE HIGH CROSSES AT AHENNY AND KILKIERAN > Mute testimony to a bygone era - the days of the subsumption of the Old > Ways of the Celts by Chrsitianity - these crosses are magnificent - up to= 4 > metres (12 feet) tall, carved in impossibly intricate knotwork, and still > standing after 1300 years. They stand alone in two deserted Grave Yards -= I > guess they are the source of my passion for the High Crosses of Ireland. > Before the days when scripture scenes were carved into the faces of the > High Crosses, these monuments are intricately carved with Celtic symbols > and knotwork, predating the High Crosses in the rest of Ireland by a good > few years. They are the only real examples dating from the time when > Ireland was in transition between Christianity and the Old Ways. >=20 > THE ROCK OF CASHEL > This is a massive monastic fortress situated on a 300ft high limestone > outcrop overlooking the town of Cashel in Co. Tipperary. Originally > fortified by pagan Kings it was donated to the Church in the 9th Century > AD, and became a focal point of the Christianisation of Southern Ireland. > Destroyed by Cromwell in the 17th Century, it remains uninhabited since > then. Outstanding are the Round Tower, the Cross of St. Patrick, the 11th > Century crypt and the ruined churches on the site. >=20 > JERPOINT ABBEY > A 12th Century Cistercian monastery. Not too much to speak of here - just > the carving of a Butler Knight on a pillar of the cloister. >=20 > GLENDALOUGH > This is a monastic settlement founded in the 6th Century AD by St. Kevin,= a > monk who sought a life of ascetism. He got followed, so the solitary life > was out, and he ended up establishing a monastic community in what is > arguably the most beautiful valley in all Ireland. If only I had a scanne= r > so you could see this place... Again, wonderful ruins, speaking of a > passion that defies modern logic.... a 31 metre (100ft) Round Tower - the > best preserved in Ireland...ancient churches that remember history and > mutely communicate something of it to those with ears to hear... beautifu= l > indeed. The rivers are crystal clear, the mountains high and green, the > trees lush and gentle, and the birds plentiful. Kevin chose his place wel= l > - I am envious of him.=20 >=20 > THE HIGH CROSS AT MOONE > Hidden away a good few kilometres from anywhere, down a little side road, > and down a worn path past a farm, there is a little church, mostly ruins. > As you step through the side door of the building, you are greeted by the > tallest High Cross I have ever seen - 7.21 metres tall (25 ft). I am 5ft = 8" > (short, I know), and I barely clear the base of this cross. Carved in > awesome detail with Scriptural images, it has been rebuilt from the piece= s > that were found lying in the churchyard. It is a very lonely Cross - wei= rd > to say that, but I got a sense of tremendous loneliness there...I dunno. > Beyond explanation, I guess. >=20 >=20 > Well, other than the Guinness Brewery, which according to most Irishmen i= s > the most sacred of all sites in Ireland, that is about the best I can do > for you on this trip that I had. I hope I didn't bore the uninterested, a= nd > I hope even more that I excited the travellers to get on their horses and > see Ireland if they haven't already. >=20 >=20 >=20 > VAUGHAN > >=20 > Go lasa an ghl=F3ir D=E9 cos=E1n as do chuid am at=E1 caite chuig do > thodhcha=ED, agus go raibh an t-am i l=E1thair gan sc=E1th i l=E1thair A > =E1illeacht. >=20 > May God's glory light a path from your Past into your Future, and > may your Present be shadowless in the presence of His beauty. >=20 >=20 > ______________ > To unsubscribe send an e-mail command to musictus@musictus.com > In the body of the message type ONLY the following: unsubscribe iona > or visit http://www.gospel.it/iona/mailingl.html >=20 ______________ To unsubscribe send an e-mail command to musictus@musictus.com In the body of the message type ONLY the following: unsubscribe iona or visit http://www.gospel.it/iona/mailingl.html ------------------------------ Date: Sun, 25 Jul 1999 07:55:51 PDT From: navigato@excite.com Subject: Re: [iona] My trip to Iona . _ _ _ |(_)| )(_| mailto:musictus@musictus.com Discussion List http://www.gospel.it/iona/ _______________ On Sat, 24 Jul 1999 14:11:03 +0200, Vaughan Granier wrote: > . _ _ _ > |(_)| )(_| mailto:musictus@musictus.com > Discussion List http://www.gospel.it/iona/ > _______________ > > Hiya, guys > > I was over in the UK end of May and June, and I managed to make it to the > Woven Chord concert. Didn't know how to find any of you who were also > there, so I was unable to make contact with you. > > What I did do, though is visit Iona on my way across to Ireland, and I > thought I would just pass on to you the relevant portions of a series of > emails that I sent to my friends on another list. It is a bit of a longish > email, but if you have any interest in Celtic Christianity and the ruins > that remain on Iona and in Ireland, then this is an email you might enjoy... > > Here goes: > > The Celtic Christian Experience... > > Picking out more the highlights, since at almost every turn there was a > ruin deserving of at least a second look, and in the context of my seeking > out Celtic Crosses wherever I could find them, I would not want to bore you > all with too much detail here. > > Reading through it after writing it though, it is a bit of a tome - I guess > my passion showed through... :-) Enjoy!!! > > > JEDBURGH ABBEY > This old ruin, dating from about the 1100's as far as I could gather from > the locals (it was closed) is an awesome sight along the road from > Hadrian's Wall to Edinburgh. Just a ruin - not by attack but by attrition - - > it dominates the little town around it. The carving and brickwork is > beautiful - I simply wish it had been open on the day.=20 > > ST. MARGARET'S CHAPEL > Inside Edinburgh Castle, this is the oldest surviving portion of the entire > fortification - dating from about 1200 AD. Refurbished recently and > therefore dressed in a shiny white coat of paint on the inside, it is a bit > artificial, but it has a humble serenity and meekness that is truly > endearing. In the midst of a battle fortification such as this castle, it > is an anomaly that is truly refreshing to step inside of. > > > IONA > Iona is a place steeped in history, tragedy and fortitude. Set just across > the sea from the little town of Fionnphort on the west coast of the Isle of > Mull it engenders a sense of awe just seeing it across the water. Landing > on it's shores, on your right is the beach where in 807 AD the Vikings > landed and massacred the monks where they stood. Iona has seen invasion > after invasion over the 1500 years of it's history, and the loss of many > peaceloving and innocent lives. There remains a distinct sense of their > presence even now... > > The Nunnery, built in circa 1200, is an open ruin now, although the majesty > of it's stonework is clear, and a very powerful reminder of the skill of > the original craftsmen of the time. The abbey, of which the earliest part > also dates to 1200 AD lies to the north of the modern village, along the > coast line. Rebuilt often over the years, it's restorers were faithful to > it's early designers, and it carries with it a rich history. Two crosses > stand outside the entrance - one is St. John's cross, a replica of the > original which now stands in the old infirmary (converted to house the most > delicate of the ancient stonework of the island). Along with the second > cross, which is to the best of my knowledge original, I believe they date > from approximately 800 AD. > > The abbey's centre square is lined with ancient gravestones dating from > 600-700 AD onwards - all exquisitely carved in relief with celtic knotwork, > swords, images of their one-time inhabitants and inscriptions telling of > their creators, their purpose and sometimes dating them accurately. The > infirmary is repository to ancient stone relief carvings of Crusader > figures, dating from 1100 AD or thereabouts, crosses, portions of exquisite > stonework. Church services are held every hour, I believe - short items for > the constant stream of pilgrims (funny, that - most everywhere I went, > there was a touristy atmosphere - even for the most sacred of sites - > except Iona and the Skelligs. These two had the aura of a place of > pilgrimage, and a sense of an impregnability - no amount of tourism is > going to change what they were) > > My feelings while there?=20 > > A tremendous sense of a courage and a conviction far exceeding currently my > own wildest potentials - living here on this windswept isle, caught up in > their vision of God's will to the extent of total self denial, there is a > realisation that we in our modern age may well have lost the meaning of > true passion. We like our conveniences too much, and perhaps we have > measured (and thereafter pursued) success and fulfilment by inadequate > means, and fail in our understanding of passion, sacrifice, and purpose, > and we do not give ourselves over completely to the passions that beckon us > onward...and upward... > > The place is serene and gentle in spite of that - it encourages reflection > and lifts one's spirit up - there is evidence of an unquenchable fire > captured so well in the stonework - the crosses especially for me are > symbols of this. The deepest impression left with me was a sense of the > personal and individual passion of the stone workers and the monks who > lived there - somehow their faith and their commitment was not preserved in > anonymity - it was almost as if their names, and their faces, were only > just outside my conscious grasp as I walked around. I was clearly reminded > that life is a path walked in the presence of a great cloud of witnesses, > unseen to us but present nonetheless... > > The graves of Royalty from all over Europe line the graveyard - again, a > sense that people have long so revered Iona and the passion of it's > founders that being buried there was of major importance to them...it would > please me greatly to join them when I too must leave, but that is not a > possibility anymore.=20 > > ST ANNES CATHEDRAL > This Belfast cathedral is relatively young, no more than 100 years old. It > is exceptionally beautiful, but for me, while it was faithful to many > concepts belonging to Celtic Christianity, it remains merely a Church for > me. This is not to detract from it's grandeur, it's stonework, and it's > conceptual design - it is majestic in many respects with regard to these, > and I would be doing it a disservice if I detracted from it for these= > reasons. > > KILFENORA > This is a small town in the area of the Cliffs of Moher - surrounded by the > similar villages of Lisdoonvarna, Ennistymon and Ballyvaughan (hehe - since > my name is Vaughan, I was intrigued to note the Gaelic spelling "Baile > Bheachain"). Kilfenora has an old church there - nothing but a ruin with a > fantastic relief carving of a bishop set into one wall, and a number of > Celtic High Crosses in the area. One such is known for it's exceptional > relief carving of a bishop, complete with Crozier, at the top. It stands in > the churchyard, amongst the gravestones there. As an aside - I got really > spooked by a stark black granite gravestone, inscribed with just one word - - > "VAUGHAN". Weird, I tell you. No dates, nothing. No story of the wife and > kids like there normally is. Just my name. Hoooaaaaahhhhh. Weird. > > THE SKELLIGS > This was the highlight of the trip for me. A 40 minute boat ride in 10 foot > plus swells, and deep mist all around. The first Skellig rose out of the > mist like an abandoned ship, with all 40 000 gannets screaming in our ears. > Not much to see there, except some really impressive natural rock arches. > > Skellig Michael is the purpose of the trip. It is a stark, sheer rock, > protruding without any warning out of the Atlantic, about 200 metres into > the air. It is at first glance totally impassable and unclimbable, and at > second glance not much better. > > In about 600 AD, a community of monks seeking a more ascetic lifestyle > sailed out to Skellig Michael (8 miles out to sea) and began the 100 year > process of building an access route to the top, and there constructing out > of bare rock firstly a plateau on which building could take place, and > thereafter actually constructing dwellings and a church and the basics of a > community which went on to survive for at least another 600 years. > > The settlement is 180 metres up, near the top of the Rock, and was > originally accessed by stairs cut straight up the cliff face, almost > vertically. Almost immediately after the original access was built a (only) > slightly more accessible route exists, using 365 stairs up the Southern > face. These are treacherous in the extreme - slippery, and sloping down the > rockface, not into it, thus making each step something of a gamble. An > impossible journey if one has any fear of heights, and I cannot imagine > doing it barefoot or in primitive footwear such as sandals. My African > Hiking Boots were barely up to the task on the day...and the old monks used > to carry supplies up that route!!!!! > > Beehive dwellings, still in immaculate condition and dating from 600 AD...a > open roofed church, walls still fully intact ...graveyards, two of them, > each with rough hewn stone crosses dating back to 700 AD at least...a view > of the Atlantic and of Little Skellig, with the mainland and Puffin Island > in the distance. > > What a place. It is a monument to passion and perseverence, and self > sacrifice. The rocks themselves testify to these things - it is the hardest > place to live I have ever seen, and somehow, somewhy, these twelve monks > made it a home for themselves, for their entire lives. It engenders a sense > of awe, and of mystery. In truth, I got the impression that the creators of > this place are unknowable, unique individuals with unique passions and > perspectives. The greatest mystery perhaps is what they learned of God=20 > in such a place, and what they did with that knowledge. I will ask them > oneday... > > THE HIGH CROSSES AT AHENNY AND KILKIERAN > Mute testimony to a bygone era - the days of the subsumption of the Old > Ways of the Celts by Chrsitianity - these crosses are magnificent - up to 4 > metres (12 feet) tall, carved in impossibly intricate knotwork, and still > standing after 1300 years. They stand alone in two deserted Grave Yards - I > guess they are the source of my passion for the High Crosses of Ireland. > Before the days when scripture scenes were carved into the faces of the > High Crosses, these monuments are intricately carved with Celtic symbols > and knotwork, predating the High Crosses in the rest of Ireland by a good > few years. They are the only real examples dating from the time when > Ireland was in transition between Christianity and the Old Ways. > > THE ROCK OF CASHEL > This is a massive monastic fortress situated on a 300ft high limestone > outcrop overlooking the town of Cashel in Co. Tipperary. Originally > fortified by pagan Kings it was donated to the Church in the 9th Century > AD, and became a focal point of the Christianisation of Southern Ireland. > Destroyed by Cromwell in the 17th Century, it remains uninhabited since > then. Outstanding are the Round Tower, the Cross of St. Patrick, the 11th > Century crypt and the ruined churches on the site. > > JERPOINT ABBEY > A 12th Century Cistercian monastery. Not too much to speak of here - just > the carving of a Butler Knight on a pillar of the cloister. > > GLENDALOUGH > This is a monastic settlement founded in the 6th Century AD by St. Kevin, a > monk who sought a life of ascetism. He got followed, so the solitary life > was out, and he ended up establishing a monastic community in what is > arguably the most beautiful valley in all Ireland. If only I had a scanner > so you could see this place... Again, wonderful ruins, speaking of a > passion that defies modern logic.... a 31 metre (100ft) Round Tower - the > best preserved in Ireland...ancient churches that remember history and > mutely communicate something of it to those with ears to hear... beautiful > indeed. The rivers are crystal clear, the mountains high and green, the > trees lush and gentle, and the birds plentiful. Kevin chose his place well > - I am envious of him.=20 > > THE HIGH CROSS AT MOONE > Hidden away a good few kilometres from anywhere, down a little side road, > and down a worn path past a farm, there is a little church, mostly ruins. > As you step through the side door of the building, you are greeted by the > tallest High Cross I have ever seen - 7.21 metres tall (25 ft). I am 5ft 8" > (short, I know), and I barely clear the base of this cross. Carved in > awesome detail with Scriptural images, it has been rebuilt from the pieces > that were found lying in the churchyard. It is a very lonely Cross - weird > to say that, but I got a sense of tremendous loneliness there...I dunno. > Beyond explanation, I guess. > > > Well, other than the Guinness Brewery, which according to most Irishmen is > the most sacred of all sites in Ireland, that is about the best I can do > for you on this trip that I had. I hope I didn't bore the uninterested, and > I hope even more that I excited the travellers to get on their horses and > see Ireland if they haven't already. > > > > VAUGHAN > > > Go lasa an ghl=F3ir D=E9 cos=E1n as do chuid am at=E1 caite chuig do > thodhcha=ED, agus go raibh an t-am i l=E1thair gan sc=E1th i l=E1thair A > =E1illeacht. > > May God's glory light a path from your Past into your Future, and > may your Present be shadowless in the presence of His beauty. > > Hey , Thanks for taking the time to share all this stuff about your trip. I 'm really interested in anything having to do with early celtic christiany and I really enjoyed reading it .Thanks. Blessings, Corrie <>< > ______________ > To unsubscribe send an e-mail command to musictus@musictus.com > In the body of the message type ONLY the following: unsubscribe iona > or visit http://www.gospel.it/iona/mailingl.html ________________________________________________________________ Get FREE voicemail, fax and email at http://voicemail.excite.com Talk online at http://voicechat.excite.com ______________ To unsubscribe send an e-mail command to musictus@musictus.com In the body of the message type ONLY the following: unsubscribe iona or visit http://www.gospel.it/iona/mailingl.html ------------------------------ End of iona-digest V1999 #30 **************************** ______________ To unsubscribe send an e-mail command to musictus@musictus.com In the body of the message type ONLY the following: unsubscribe iona-digest or visit http://www.gospel.it/iona/mailingl.html